FEP Awards Winners 2011

The Federation of European Professional Photographers (FEP) has announced its 2011 awards and we are happy to report that the winner was the Spanish Jolonch Oriol, who has also taken the first prize in the photo illustration. The Austrian Fasching Luca Leon was the winner in the category youth.

FEP Awards 2011 were sponsored by Epson and announced in Brussels on 26 November. Over 2,000 images were submitted for the contest in seven different categories: weddings, commercial photography, portrait, reportage, landscape and illustrative photography, plus a category for photographers outside Europe and the aforementioned category for students and young photographers.

Below these lines you have the complete list of winners in each of the categories of FEP Awards 2011. Jolonch Oriol addition, the Spanish photographers Germain Arce, Javier Avis Barrado, Xanthi Rodríguez, José Luis Guardia Guardia Peinado and Jose Luis Vazquez also been honored for their work.

Illustrative

•    Oriol Jolonch Spain: Illustrative FEP European Golden Camera 2011
•    Jose Diogo Freitas Portugal: Illustrative FEP European Silver Camera Award 2011
•    Germain Maple Spain: Illustrative FEP European Camera Bronze Award 2011

Landscape

•    Rep. Czech Ondrej Prosicky: FEP European Golden Camera Landscape 2011
•    Kulisev Slovakia Filip: FEP European Landscape Award 2011 Silver Camera
•    Czech Republic Jiri Stransky: FEP European Bronze Landscape Camera Award 2011

Portrait

•    Igor Sakharov Russia: Portrait Hahnemuhle FEP European Golden Camera 2011
•    Ingrid van Heteren Netherlands: European Portrait FEP Hahnemühle Silver Camera Award 2011
•    Carl Tighe Ireland: Hahnemuhle Camera FEP European Bronze Portrait Award 2011

Reportage

•    Antonio Gibotta Italy: Reportage FEP European Golden Camera 2011
•    Barbui Paolo Italy: European FEP Reportage Silver Camera Award 2011
•    Philippe Le Jeune France: European FEP Camera Reportage Bronze Award 2011

Wedding

•    Avis Barrado Javier Spain: FEP European Golden Wedding Camera 2011
•    Xanthi Spain Rodriguez: FEP European Silver Wedding Camera Award 2011
•    Peinado José Luis Guardia Spain: FEP European Bronze Wedding Camera Award 2011

Commercial

•    René de Brunn Germany: European Commercial FEP Golden Camera 2011
•    Xanthi Rodriguez Spain: European Commercial FEP Silver Camera Award 2011
•    José Luis Vázquez Spain Guard: FEP European Camera Commercial Bronze Award 2011

International photographers

•    Soh Chee Loon Jericho Singapore: FEP International Photographers' Golden Camera 2011
•    Lucas Ting Malaysia: FEP International Photographers' Silver Camera Award 2011
•    Tami Reynolds Canada: FEP International Photographers' Bronze Camera Award 2011

Students / Young Photographers

•    Luca Leon Fasching Austria: FEP European Students and Young Photographers' Golden Camera 2011
•    Krysiak Poland Dawid: FEP European Students and Young Photographers' Silver Camera Award 2011
•    Marjan Kegels Belgium: European FEP Students and Young Photographers' Award 2011 Bronze Camera

Reference: http://www.europeanphotographers.eu/

The Best Photos of 2011 Chosen by National Geographic

The best photos of 2011 chosen by national geographic. Somehow the world is incredibly composed of small scenes that capture the viewer's eye with a passion, in this case meaning conveyed in photographs and certainly idealistic dreamer.

Choose the best pictures is hard work, but complies with National Geographic to give due credit to the men and women caught up in the shadows, lights, and many other disturbing factors, compositions express real life. Then enjoy the gallery of the top 10 photographs were chosen.

List of photographs selected by national geographic:

Rift in Paradise

- Author: Joel Sartore

- Description: The King of Africa, a lion is caught climbing a tree in Queen Elizabeth National Park in Uganda.

Too Young to Wed

- Author: Stephanie Sinclair

- Description: A gauze veil mode protects a woman's face is burned in the room in Herat, Afghanistan.

Baghdad After the Storm

- Author: Lynsey Addario

- Description: During the years of violence in Baghdad, it was not safe to go to the movies, now people are excited about watching movies in 4D without any concern that fun.

Taming the Wild

- Author: Vincent J. Musi

- Description: This rate represents those who have inherited a gene for aggression toward humans. A scientific work in Novosibirsk, Russia, seeks to alter its genome to deter the behavior.

Orphans No More

- Author: Michael Nichols

- Description: The baby elephant is protected Shukuru the cold and rain, thanks to the care of the Guardians of the nursery David Sheldrick Wildlife Trust in Nairobi, Kenya.

Spirit Bear

- Author: Paul Nicklen

- Description: This white-haired bear still young, an adult will be known as black bear. Was caught feeding on moss-covered forest in British Columbia.

Sami

- Author: Erika Larsen

- Description: Pastor Sven Skaltje northern Sweden, is saddened to find the way two female reindeer, who apparently died with the horns of its horns entangled in a struggle for dominance.

Rift in Paradise

- Author: Pascal Maitre

- Description: The local militia Kifuafua Mai-Mai, boasts showing their weapons used in the struggle for power for nearly 20 years in North Kivu, a province suffering from the civil war in the Democratic Republic of Congo.

Beautiful Teenage Brains

- Author: Kitra Cahana

- Description: A small fight club in Austin, Texas, meets once a month to play the game of strength and skill with clear rules, some recorded losvideosy the board a private group in Facebook.

Conquering an Infinite Cave

- Author: Carsten Peter

- Description: Column Ken Hang giant, an incredible cave, separate images of two explorers who are swimming. This cave is one of 20 new ones were discovered in 2010 in Vietnam.

That's the best photos of 2011 chosen by national geographic.

Mysterious Paintings by Dapacu Elegant

Mysterious Paintings that glow like jewels, mysterious worlds within the same painting, which goes beyond the third dimension, without the use of lenses.

Forms off the surface and become multi-dimensional as you learn to see

Famous Artists of Mexico presents a video, Dapacu.

Pause the video and see, you see? Once the patterns?

Stay away a little of the screen ... You See?

What you see when looking at the painting?

At first, it appears you see something and you lose, then you see something and you come and see it,

That means that you are about to enter to see multi-dimensionally.

Every time you see the video, you'll see more.

Each time you pause the video and observe, you will see that in every shot, there is much to see.

A video of thirty seconds, the pause gives details on Art Masterpiece Dapacu multidimensional.

10 Tips To Get Started In Underwater Photography

Although the professional and major amateur underwater photography any time is good to practice this specialty, the approach of summer is usually a good excuse to start in this world or improve our technique. And for that, you had better take note of the 10 tips to get started in underwater photography, one of the leaders of the shop Kanal and authentic expert on the subject, which dealt with from the equipment needed to photographic detail to consider to submerge.
        Photo: Norbert Probst

1. Prepare a new computer. The first thing to do after buying an underwater case is a dive with it empty, pressing all the buttons and activating all the levers. Upon verification of tightness, a free to enter the computer and start working. While circulating around the idea that housing must be filled toilet paper to make the first leak test, with this we will only leave the box full of cell debris. Something obviously is not advisable.

2. Performance light and flashes. If the light surface is the essential element for underwater photography, this premise makes more sense, because due to the absorption and scattering of the same colors are lost. From three meters, the red color turns brown, and are lost orange and yellow. From 15 meters, the landscape is green and blue. Therefore, the use of external flash is necessary to capture all the chromaticism of the fund.

Even so, the distance of the flash range is also limited, so when the truth is only less than ten feet away (depending on water visibility) icon will appear in the picture.

3. Objective bright and low sensitivity. Underwater light is scarce. A very bright object is a good starting point to capture good pictures, since having to raise sensitivity to compensate for the lack of light will generate a noise that will be greatly enhanced by the blue key. We will attempt to always work with values ​​of 100 or 200 ISO to maximize quality.

4. Macro. Macro photography is very "grateful" in this discipline. The shortest distance to the subject results in a cleaner and making colors more vivid, because there is less water and light through our flashes reach the subject photographed without problems. Furthermore, the density of water and suspended particles act as a brake light, which we always approach everything we can to the scene.

5. Working in RAW. As long as your camera allows us not hesitate to take photos in RAW format. Underwater light conditions are continually changing as we gain depth and to the position of the sun On the other hand, the immersion time is limited, so it is better to take advantage until the last second to compose and search for images or repeat a wall and leave the issue for later, on the computer. Shooting in this format post-production possibilities multiply.
        Photo: Mikael Jigmo

6. Approach and the image plane. To get closer to the majority of underwater fauna must be done slowly and below. And better addressed with the team and, as any sudden movement may cause the animal to flee. It is also important not to block his escape route if you are in a crack and take advantage of the approach for a test shot and see if the flashes are well placed.

Regarding the frame, avoid photographing animals planes above or from behind. Taking a little lower and angled highlight the volume and blue sea. The bottom-up vertical shots give an idea of ​​how deep we are, which is one aspect to be transmitted.

7. The color correction filters. Since the scope of light under water is limited, it is sometimes interesting to use correction filters (red and orange to magenta to blue water green water) to get tones that otherwise would be monochrome. Keep in mind, though, that the use of these filters is incompatible with the simultaneous firing of flashes.

8. Maintenance of the housing. All boxes are sealed O-rings to make sure sealing. Maintenance is very simple and basically consists in making sure the seal is lubricated. A small amount of silicone grease - equal to one or two grains of rice, depending on size, will be more than enough for the board just right.

This must be done every two or three dives, and before closing the case must be checked in O-ring is attached dirt. Remove the board from its housing to gear is not a good idea, because sooner or later would eventually expand, with the consequent risk of flooding of the team.

9. Buoyancy. It is essential to have good buoyancy control to get to stay static at the time of photographing. Keep in mind that it is not advisable to rely on to take pictures. In addition to the marine environment is very vulnerable and coral daemon take hundreds of years to recover, we can also have problems with camouflaged animals can be dangerous. Needless to say, to change things around to improve the composition of the picture is not right. And is that no picture is more important than the environment where they performed.

10. Security people and equipment first. All housings have some system to secure them to one of the rings diving vest with specific extenders or even directly to the wrist. These methods are a good way to keep the team due to an ocean current or up to the boat after the dive.
        Photo: Pedro Gonio

However, it must be remembered that if we are photographing large, fast animals such as sharks, dolphins, this system can be dangerous. In these circumstances, the team should be subject only by our hands, because if the animal trap for any reason and away with him, we would be able to release it immediately. We must be clear before diving that our security team is ahead or the best picture we can do.

That's 10 Tips To Get Started In Underwater Photography Tips developed by Juan José Sáez

Underwater Photography

Underwater photography is no longer an activity that can make a few, know anyone can take pictures underwater with low-cost equipment and basic knowledge of photography. I bring a small guide which are the elements you need for this activity

This is not another boring tutorial on how to take underwater pictures with expensive equipment and a million courses to do to get a few pictures. Today I bring a few tips on how to become Underwater Photography without spending much money and time.

To begin to take your pictures are going to need certain elements:

• 1 Digital Camera
• 1 case for your camera that resists water and pressure (depending on how deep you think taking photos)
• 1 Photographer (this time you)

To begin, we must choose a camera preferably digital. In the market there are plenty of digital camera brands, some more expensive than others and some better than others. I recommend you buy one that is to your financial reach. Do not worry if the camera is a low resolution to begin with 4 Mega Pixels is fine.

Then you should think of a water resistant case and the pressure to your camera, there are many brands expensive if you buy a box of these, I congratulate you no problem, but for people who are starting there is an option and is the case dicapac (this is not an advertisement).

Shortlisted for the British Wildlife Photography Awards 2011.

This case is made of durable plastic with a polycarbonate lens, looks like a camera bag as it is not rigid like other cases and is compatible with 80% of current camera models.

The spec says it can withstand up to 5 meters.

Well we already have the camera and the case will now explain how to take better pictures underwater.

First we must consider that the light in water is different from on the surface so when you take a picture should not be above the target (element you're going to take the picture) and that the light should hit it. Sure we can use the camera flash but try not to do so as not to disturb the fish too much.

If you are diving and want to take pictures of people, try to stay close to a coral, rock or object for your reference. Also tell them when you go to take the picture are not throwing away the breath as the bubbles interfere with the image and does not look good.

To take pictures of fish is another story, they do not pose for photos and if some of you know of one please let me know they pose, because this is the hardest part of underwater photography.

So how do we take the picture of the fish? When we dive we take a quiet and relaxed. The divers must take a place hydrodynamics, ie, do not interfere with the flow of water.

Good for taking pictures of the fish we have a little luck and patience to get the best pictures.

Last but not least we take care of marine life and not take things to the sea our memory as corals, clams or whatever. Imagine that everyone take a piece of coral, then at least a year would not have the beautiful things in the depths of the sea.

Enjoy to try Underwater Photography!

Francine Winham Female Photographer

Francine Winham female photographer. Francine Winham was born in London in late 1930, the daughter of a property tycoon. In the late forties the family returned to London and Winham was sent to Mitford-Colmer Seminary for Young Ladies in Belgravia, a private school where the daughters of wealthy families prepare for their eventual appearance along with the daughters of wealthy parents who that arose new.

It was this anarchic music the beginning of my passion for jazz. Amor was this time when he met music entrepreneur Chris Blackwell. Working for Chris was a unique experience. If artists were not available, Chris simply impaling friends to pose. I paid 10 cover.

Passionate about photography and eager to revive its American roots, Winham moved to New York in 1963 to study. Found work as a photographer's assistant editor David Atte and then began working as a freelance photojournalist. But what she felt was more passion for the vibrant energy of jazz in New York. New York was the heart of the jazz world at that time - was very exciting.

The jazz clubs were perfect for me. Far from the jazz clubs in the 60 New York was a hotbed of political unrest: protests against the war in Central Park, civil rights marches in Harlem. Winham covered these events along with her boyfriend Jo Guide journalist. When Millie singing My Boy Lollipop became a huge success.

Returning to New York, Winham resumed his work in jazz. Miles Davis, Ella Fitzgerald, Dizzy Gillespie, John Coltrane, Duke Ellington, Jerry Mulligan ... the list goes on, all photographed by Winham. Winham In 1967 he returned to London. A visit to the Edinburgh Film Festival the following year led her to join The Women s Film Group (Group of women's films). "I organized an exhibition to start the season entitled" 100 Years of Jazz and began attending festivals again, this time in Europe of Maastricht and Nice, and the Soho Jazz Festival.

Exhibitions in London, Athens and New York have taken their work to a wider audience, and while still taking pictures Winham his new passion is the song.

Miles Davis, Ella Fitzgerald, Dizzy Gillespie, John Coltrane, Duke Ellington, Jerry Mulligan ... the list goes on, all captured by Francine winham female photographer .

Photographer Lawrence Impey

Photographer Lawrence received his education in the UK, he studied photography at Bournemouth and Poole College of Art in 1971-74

Photographer Lawrence Impey was born in Bournemouth, England in 1951. Although his family moved to Nigeria in 1957, Lawrence received his education in the UK, studying photography in Bournemouth and Poole College of Art College of Art from 1971 to 1974. After leaving college, his interest in the business of music and friendship with several musicians led to a series of photographs, in particular, Squeeze, The Police and The Only Ones. Since 1980 Lawrence has been working in information technology (IT), although a new foray into the music business till now in progress. He lives in Mill Hill, north London.